A New Approach to Commercial Publishing: The New LFB

Anti-Statism, Business, Education, IP Law
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Laissez-Faire Books was founded in 1972 when issues of intellectual property hadn’t been worked out in detail in the libertarian world. There was of course the Randian view, which took IP to the most absurd extremes. Then there was the Rothbardian view, which had a very strict view of what is and what is not property and because IP doesn’t pass this test, the Rothbardian perspective tended toward the open model.

LFB itself never questioned the statist conventions on this topic. In fact, it even went through a period in which its owner worked to send take down notices to sites for posting old books to which it claimed the rights. How well I recall my own disgust! LFB uses the state to stop the spread of libertarian ideas! That’s just incredible.

Well, Agora Financial took over the institution this year and it immediately became obvious that they were Kinsellaites on this question. While working at the Mises Institute, I had worked with the new LFB to do some co-publishing in the commons. So when I accepted the position as publisher and executive editor, I made it a condition that, wherever possible, we always publish into the commons.

Management readily agreed, and even wondered why I was making such a big deal out of this. After all, this is a gigantically successful company and they have learned that the most important way to sell a product is to market it as widely and broadly as possible. If by putting something in the commons, you stand to reach more people, isn’t this a great thing? Isn’t this what commerce is all about? And from a mission point of view, isn’t this what libertarian education is all about?

Indeed it is! I immediately felt that we would soon be running an important experiment: a large scale publisher in the world of commerce would soon be publishing with Creative Commons and eschewing copyright in every way. This is a massive step for the libertarian world and even for the world of publishing in general.

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James Bond, Plagiarism, and Intellectual Property

IP Law, Pop Culture
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So it looks like a recently published spy thriller, Assassin of Secrets,1 was largely plagiarized by the “author” from quite a few other novels — some post-Fleming Bond novels and others.

Now, when someone like myself says he is against intellectual “property,” as an illegitimate government grant of monopoly privilege over something that cannot be owned (i.e., ideas), the responses are fairly predictable.

A common one is “Well, then what’s to stop me from copying your novel, changing the name on it, and selling it as my own?”

Well, your customers could sue you for fraud, for one thing. No need for copyright to make that possible.

For another, in the Internet age, you run a very high risk of being found out and ruining your reputation.

In this case, fans of James Bond novels discovered the plagiarism first. As you can imagine, fans can be mighty protective of their favorite books and authors. Try to rip one off and some fan is bound to spot it, and soon they’ll all be royally pissed.

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  1. A rather cheesy title, no? ↩

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Don’t These Uppity Negroes Ever Get Tired of Being Uppity?

Business, Corporatism, Humor, Pop Culture, Racism
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I’ve written on the phenonenon before, most recently, while examining the trite hate-fest that pretends to be media coverage surrounding LeBron James. And frankly, I’ve found myself disagreeing with Bryant Gumbel on a number of salient points throughout these discussions. This time though, Gumbel is on-point. Recently he made these comments, regarding the NBA Lockout and how NBA Commissioner David Stern is handling it:

Stern’s version of what has been going on behind closed doors has of course been disputed, but his efforts were typical of a commissioner who has always seemed eager to be viewed as some kind of modern plantation overseer, treating NBA men as if they were his boys. It’s part of Stern’s M.O., like his past self-serving edicts on dress code and the questioning of officials. His moves were intended to do little more than show how he’s the one keeping the hired hands in their place.

His comments have drawn a lot of ire, much of it from black media members. (In full disclosure, I tend to discount white media member’s discomfort when a black person uses a supposed slavery analogy. Call it a personal failing.)  Try though I may, I can’t find what is incorrect about Gumbel’s statement.

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