Introducing Prometheus Unbound

(Austrian) Economics, Anti-Statism, Fiction Reviews, Pop Culture, Science, Statism, Technology
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Last week I launched a new website called Prometheus Unbound.  I aim for it to be a sort of online “magazine,” a libertarian review of fiction and literature. The site will feature reviews, news commentary, articles and editorials, and eventually (I hope) interviews, from a libertarian perspective. I’m entertaining the possibility of publishing original fiction in the undetermined future, but won’t be doing so anytime soon.

I’ve already got a number of posts up, some old and republished from other sites, some new. I’m hoping this won’t be a one-man show, so I’m looking for some regular writers as well as submissions from irregular or part-time contributors. There are already a few others on board, so you should start to see posts from them before long. If you’re interested in contributing a review, news commentary, or the like, contact me.

You can learn more about Prometheus Unbound, my reasons for creating it, and what I’m looking for in submissions by starting with my introductory post. I’m particularly interested in science fiction and fantasy prose fiction, but Prometheus Unbound will be open to submissions dealing with just about any genre or medium, including film, tv, comics and graphic novels, and poetry.

~*~

Cross-posted at Is-Ought GAP.

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The Ghost Writer

Fiction Reviews (Movies), Pop Culture
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Libertarians may especially enjoy Roman Polanski’s The Ghost Writer, which is now playing in second-run theaters and coming to DVD in August.

I wish I could tell you more about why, but it’s the sort of movie that’s best entered with minimal knowledge. The plot involves a man (Ewan McGregor) assigned to write the memoirs of a former British Prime Minister (Pierce Brosnan) who has recently been charged with war crimes for torture. An earlier ghost writer who worked on the book was found washed up on the beach at Martha’s Vineyard, and McGregor’s unnamed character tries to solve the mystery and avoid the same fate.

It was delightful to see the movie not only call attention to the Blair/Bush/Obama war crimes but also depict the CIA as nothing other than a force for evil in the world.

Above all, though, it’s a great, old-fashioned suspense thriller — written for intelligent adults, not teenagers — which is refreshing at a time when it seems that most movies are little more than a series of special effects, brutal killings, and/or dirty jokes.

I recall that Murray Rothbard referred to a certain type of film as a “movie movie.” I’m not sure what that means, but I’m pretty sure this is one.

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Libertarian Themes in Prince of Persia: The Sands of Time

Fiction Reviews (Movies), Imperialism, IP Law, Pop Culture, Taxation, War
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SPOILER ALERT: I try my best not to “spoil” the movie, but some plot elements are revealed.

Prince of Persia

There are lots of things to like about the movie Prince of Persia: Jake Gyllenhaal‘s abs, the parkour, Gemma Arterton‘s attitude and beauty, or Ben Kingsley’s well-proven ability to portray the bad guy. But I like the libertarian themes.

The movie is inspired from the video game franchise of the same name. All of the important elements of the movie are directly from the video game: the parkour, the street rat, the princess, the dagger of time. The fact that videogames are perhaps becoming in our age the leading form of art for the young is well explained in the lecture series Commerce and Culture by Paul Cantor. Many libertarians have underscored this essential link between market and art, and especially the way that copying is at the heart of artistic development.

The plot itself has libertarian themes. The antagonist, seeking political power, lies the Persians into a war of conquest on the false report of weapons manufacturing and collusion with a known enemy. After the invasion is over and won, there is a scene where the king admonishes one of his sons for his act of invasion, which could be interpreted as an unintended allusion to the foreign policy fiasco perpetrated by George W. Bush over the counsel of his father George Bush, among others.

But the overt libertarianism in the movie is a running gag throughout the movie delivered by Alfred Molina‘s character Sheik Amar, whose role in Raiders of the Lost Ark we cannot forget. The gag is that Amar is the proprietor of a community whose reputation is crafted to prevent tax collection, reminding me of Ralph Raico’s point (I believe he raises it in this lecture) that the Arab stories of caves full of wealth were likely based on the reality of businessmen hiding their wealth from the tax man. Molina/Amar makes many anti-tax comments throughout the movie, which were cheered in the theater where I saw it. As another homage, Molina’s famous scene in Raiders of the Lost Ark is replayed in Prince of Persia between the male and female leads.

Not only for its libertarian themes, but also for its action, characters, plot, and overall impact, I highly recommend the movie. Great summer movie for the family, rivaling the likes of Pirates of the Caribbean.

For my family it had an additional appeal, since the setting was the Persian Empire, and we’re preparing to leave for Turkey in a few days. PFS meeting, here we come!

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Robin Hood, Magna Carta, and the Forest Charter

Anti-Statism, Fiction Reviews (Movies), Podcast Picks, Pop Culture, Statism
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I, for one, am sick of the Robin Hood myth and movies. Or I thought I was. On the latest episode of Mark Kermode’s BBC film review podcast, there’s a fascinating discussion with Russell Crowe and Billy Bragg about the upcoming Ridley Scott film Robin Hood, starring (and co-produced by) Crowe. The new movie is a departure from other versions, with Robin Hood involved in the Magna Carta and also the Forest Charter which, “In contrast to Magna Carta, it provided some real rights, privileges and protections for the common man against the abuses of the encroaching aristocracy.” One line I like from the Forest Charter:

Any archbishop, bishop, earl, or baron who crosses our forest may take one or two beasts by view of the forester, if he is present; if not, let a horn be blown so that this [hunting] may not appear to be carried on furtively.

The discussion about this with Crowe and Bragg (9:00 to about 32:10 of the podcast) goes into how the Norman aristocracy unjustly invaded the land rights of the common people, which was redressed to some degree by the Forest Charter. Sounds interesting.

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F***ing with the wrong Mexicans

Fiction Reviews (Movies), Immigration, Pop Culture, Vulgar Politics
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The fury over Arizona’s new anti-illegal immigration law continues at a brisk boil, and it couldn’t come at a better time for filmmaker Robert Rodriguez.  The 41-year-old Texan, himself of Mexican descent, is known for his gritty and graphically violent movies set in Mexico and featuring protagonists who seek bloody vengeance against those who have wronged them.  Like his friend and collaborator Quentin Tarantino, Rodriguez is a fan of the pulpy, culturally exploitive action films of the 1970s; part of the fun of Grindhouse, the double-feature he and Tarantino directed, were the over-the-top trailers for films which didn’t exist…until now, at least.

MacheteRodriguez has now expanded one of the trailers, for a film called Machete, into a full-length feature starring Danny Trejo, a fixture in many Rodriguez movies, including the family-friendly Spy Kids series in which Trejo also played a character named Machete.  I hope parents don’t confuse that Machete with this one, however, as the new “illegal” trailer makes clear (warning: NSFW language and violence).  In the new film, Machete is a former Federale and migrant laborer who drifts around Texas looking for work.  He is hired by a businessman (played by Jeff Fahey) to kill a corrupt senator who’s trying to kick all of the illegal immigrants out of the state.  But it’s all a setup; Machete is the patsy for a deeper conspiracy to whip up anti-immigration hysteria so that tough new laws can be passed without much protest.  Machete then goes on the signature Rodriguez rampage of killing bad guys and scoring with hot women.  As the voiceover in the trailer says, “They just f***ed with the wrong Mexican.”

The real fun may be in seeing this movie played out against an all-too-real backdrop of anti-illegal immigrant hysteria.  The senator in Machete, played by Robert DeNiro, uses rhetoric not much different from that heard by officials such as Pinal County Sheriff Paul Babeu, who warned of an epidemic of cop shootings by illegals after one of his deputies was wounded by suspected drug smugglers near the border.  No evidence of such an epidemic exists — only one cop in Arizona has been killed by an illegal immigrant since 2008 — but the amplification effect of non-stop media coverage lends credibility to Babeu’s histrionics.

Los SunsThen there’s the condemnation of forcibly removing illegals from the country, and the rallying of immigrants by Machete’s compadres to fight back, echoing the political and cultural backlash against Arizona’s new legislation.  Even professional sports have gotten in on the act; the Phoenix Suns wore “Los Suns” jerseys on Wednesday to celebrate Cinco de Mayo and take a swipe at the immigration bill.

Whether Machete is just a Mexploitation flick using illegal immigration as a pretext for a gory revenge fantasy, or represents a deeper political statement by Rodriguez, won’t be known until the film is released in September.  Of course it can be both; politics and pop culture often make strange, not to mention lucrative, bedfellows.  Such is the wonder of American enterprise!

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