Great Libertarian Quotes in Robert Heinlein

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Yesterday on LewRockwell.com, Jeff Riggenbach posted a short essay entitled “Was Robert A. Heinlein a Libertarian?” It reminded me of how much I enjoyed Heinlein’s incredible novel, The Moon is a Harsh Mistress, for its witty characters and thought-provoking political dialogue.

Besides the inimitable Mike (who is actually a computer), my favorite character was definitely Professor Bernardo de la Paz, affectionately called “Prof” throughout the book. He identifies himself a rational anarchist and always has something interesting to add to whatever is going on at the time.

I have taken the liberty to type out my favorite quotes from the book for your reading pleasure. Maybe it will inspire you to read the novel in full

“Under what circumstances may the State justly place its welfare above that of a citizen?”
“Prof, as I see, [there] are no circumstances under which [the] State is justified in placing its welfare ahead of mine.”
“Good, we have a starting point.”
~ Professor de la Paz and Manuel O’Kelly-Davis

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Libertarian Themes in Prince of Persia: The Sands of Time

Fiction Reviews (Movies), Imperialism, IP Law, Pop Culture, Taxation, War
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SPOILER ALERT: I try my best not to “spoil” the movie, but some plot elements are revealed.

Prince of Persia

There are lots of things to like about the movie Prince of Persia: Jake Gyllenhaal‘s abs, the parkour, Gemma Arterton‘s attitude and beauty, or Ben Kingsley’s well-proven ability to portray the bad guy. But I like the libertarian themes.

The movie is inspired from the video game franchise of the same name. All of the important elements of the movie are directly from the video game: the parkour, the street rat, the princess, the dagger of time. The fact that videogames are perhaps becoming in our age the leading form of art for the young is well explained in the lecture series Commerce and Culture by Paul Cantor. Many libertarians have underscored this essential link between market and art, and especially the way that copying is at the heart of artistic development.

The plot itself has libertarian themes. The antagonist, seeking political power, lies the Persians into a war of conquest on the false report of weapons manufacturing and collusion with a known enemy. After the invasion is over and won, there is a scene where the king admonishes one of his sons for his act of invasion, which could be interpreted as an unintended allusion to the foreign policy fiasco perpetrated by George W. Bush over the counsel of his father George Bush, among others.

But the overt libertarianism in the movie is a running gag throughout the movie delivered by Alfred Molina‘s character Sheik Amar, whose role in Raiders of the Lost Ark we cannot forget. The gag is that Amar is the proprietor of a community whose reputation is crafted to prevent tax collection, reminding me of Ralph Raico’s point (I believe he raises it in this lecture) that the Arab stories of caves full of wealth were likely based on the reality of businessmen hiding their wealth from the tax man. Molina/Amar makes many anti-tax comments throughout the movie, which were cheered in the theater where I saw it. As another homage, Molina’s famous scene in Raiders of the Lost Ark is replayed in Prince of Persia between the male and female leads.

Not only for its libertarian themes, but also for its action, characters, plot, and overall impact, I highly recommend the movie. Great summer movie for the family, rivaling the likes of Pirates of the Caribbean.

For my family it had an additional appeal, since the setting was the Persian Empire, and we’re preparing to leave for Turkey in a few days. PFS meeting, here we come!

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White Flag Warrior

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There’s a new anti-war rock/hip-hop song hitting the air waves lately. It is called White Flag Warrior, from the album Survival Story, by Flobots and featuring Tim McIlrath of the punk rock band Rise Against. It’s a catchy tune with good lyrics, melding both rock and hip hop elements. The song has a definite non-violent resistance ring to it. The oft repeated line that “we’d rather make our children martyrs than murderers” reminds me of the Socratic position that it is better to suffer injustice than to commit it — truly libertarian sentiments.

Music video and lyrics below:

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Robin Hood, Magna Carta, and the Forest Charter

Anti-Statism, Fiction Reviews (Movies), Podcast Picks, Pop Culture, Statism
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I, for one, am sick of the Robin Hood myth and movies. Or I thought I was. On the latest episode of Mark Kermode’s BBC film review podcast, there’s a fascinating discussion with Russell Crowe and Billy Bragg about the upcoming Ridley Scott film Robin Hood, starring (and co-produced by) Crowe. The new movie is a departure from other versions, with Robin Hood involved in the Magna Carta and also the Forest Charter which, “In contrast to Magna Carta, it provided some real rights, privileges and protections for the common man against the abuses of the encroaching aristocracy.” One line I like from the Forest Charter:

Any archbishop, bishop, earl, or baron who crosses our forest may take one or two beasts by view of the forester, if he is present; if not, let a horn be blown so that this [hunting] may not appear to be carried on furtively.

The discussion about this with Crowe and Bragg (9:00 to about 32:10 of the podcast) goes into how the Norman aristocracy unjustly invaded the land rights of the common people, which was redressed to some degree by the Forest Charter. Sounds interesting.

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F***ing with the wrong Mexicans

Fiction Reviews (Movies), Immigration, Pop Culture, Vulgar Politics
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The fury over Arizona’s new anti-illegal immigration law continues at a brisk boil, and it couldn’t come at a better time for filmmaker Robert Rodriguez.  The 41-year-old Texan, himself of Mexican descent, is known for his gritty and graphically violent movies set in Mexico and featuring protagonists who seek bloody vengeance against those who have wronged them.  Like his friend and collaborator Quentin Tarantino, Rodriguez is a fan of the pulpy, culturally exploitive action films of the 1970s; part of the fun of Grindhouse, the double-feature he and Tarantino directed, were the over-the-top trailers for films which didn’t exist…until now, at least.

MacheteRodriguez has now expanded one of the trailers, for a film called Machete, into a full-length feature starring Danny Trejo, a fixture in many Rodriguez movies, including the family-friendly Spy Kids series in which Trejo also played a character named Machete.  I hope parents don’t confuse that Machete with this one, however, as the new “illegal” trailer makes clear (warning: NSFW language and violence).  In the new film, Machete is a former Federale and migrant laborer who drifts around Texas looking for work.  He is hired by a businessman (played by Jeff Fahey) to kill a corrupt senator who’s trying to kick all of the illegal immigrants out of the state.  But it’s all a setup; Machete is the patsy for a deeper conspiracy to whip up anti-immigration hysteria so that tough new laws can be passed without much protest.  Machete then goes on the signature Rodriguez rampage of killing bad guys and scoring with hot women.  As the voiceover in the trailer says, “They just f***ed with the wrong Mexican.”

The real fun may be in seeing this movie played out against an all-too-real backdrop of anti-illegal immigrant hysteria.  The senator in Machete, played by Robert DeNiro, uses rhetoric not much different from that heard by officials such as Pinal County Sheriff Paul Babeu, who warned of an epidemic of cop shootings by illegals after one of his deputies was wounded by suspected drug smugglers near the border.  No evidence of such an epidemic exists — only one cop in Arizona has been killed by an illegal immigrant since 2008 — but the amplification effect of non-stop media coverage lends credibility to Babeu’s histrionics.

Los SunsThen there’s the condemnation of forcibly removing illegals from the country, and the rallying of immigrants by Machete’s compadres to fight back, echoing the political and cultural backlash against Arizona’s new legislation.  Even professional sports have gotten in on the act; the Phoenix Suns wore “Los Suns” jerseys on Wednesday to celebrate Cinco de Mayo and take a swipe at the immigration bill.

Whether Machete is just a Mexploitation flick using illegal immigration as a pretext for a gory revenge fantasy, or represents a deeper political statement by Rodriguez, won’t be known until the film is released in September.  Of course it can be both; politics and pop culture often make strange, not to mention lucrative, bedfellows.  Such is the wonder of American enterprise!

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