Charlie Hebdo: on “hate crimes” and blaming the victim

Political Correctness
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Few people outside of jihadist circles have any reaction besides horror and condemnation for the January 7th attacks on the offices of French satirical paper Charlie Hebdo in Paris, in which two masked gunmen shot and killed 12 people, including nine members of the magazine’s staff and two police officers. The horrific act sparked a nationwide manhunt that culminated today in the deaths of the two suspects, who were holed up with a hostage in a shop north of Paris. The two, who claimed to be trained by al-Qaeda, wished to become martyrs for their Islamist cause, and their wish was granted.

If the goal was to silence opponents of religious extremism (to “avenge” attacks upon the prophet Mohammed, as one of the gunmen stated), this was a senseless and ultimately futile act of murder; no sooner had news of the attack spread than media outlets were retransmitting many of the cartoons which Charlie Hebdo had published and allegedly so offended the perpetrators. But just as senseless were the reactions of some Westerners — even writers, whose livelihoods depend on free expression — who questioned the wisdom of Hebdo in publishing such provocative material in the first place. One stunning example came from Joyce Carol Oates, who wondered if the paper had indeed committed a “hate crime” (update: the tweet has since been deleted; you can view a screenshot here):

This is one of America’s most prolific writers and a recipient of numerous literary awards, someone who has not shied away from controversial subjects herself, and she believes it’s possible that writing or pictures could be considered a “hate crime.” Oates is not alone in this sentiment; one-third of Americans, and over half who identify as Democrats, favor hate crime legislation, including some forms of speech.

Let’s back up for a minute and consider the concept of a “hate crime.” This is a product of a politically-correct social climate which seeks to expunge unpopular thought by attributing to it the magical power of violating other people’s rights, which, for the purposes of so-called hate speech, must include the right not to be offended. Apparently, those who are affronted by rude commentary suddenly lose all agency and are unable to turn away from, or condemn with their own rhetoric, the mean things other people say about them or any group they identify with. It might even drive them to commit murder, and who’s to say their blind rage didn’t play a role? Charlie Hebdo’s editors should have known that their deliberate provocations of religious extremists would lead to their deaths. How irresponsible of them!

This is what is known as blaming the victim: finding them guilty to some degree for crimes committed against them by others. Imagine telling a rape victim that it’s terrible she was raped, but why on earth did she go out in public dressed like that? Some men just can’t control themselves! And this sort of shaming happens all too frequently to victims of sexual assault.

It shouldn’t happen to them, nor to victims of other crimes. But the politically-correct crowd in particular seems incapable of unreservedly condemning violence aimed at suppressing speech, if its victims don’t fit their favored ideological mold. There is little doubt that the content in Charlie Hebdo is often crass and confrontational. But that is precisely what satire has to be, if it’s to be successful. And it is simply not up for debate whether the cartoons and columns they published justified massacring the editorial staff. They didn’t. It is entirely possible, and indeed necessary, to defend Charlie Hebdo’s right to exist against violent thugs, even if one can’t endorse its content. To decry their material as “racist” or “Islamophobic” in the context of Wednesday’s shootings misses the point, and worse: it provides the enemies of reason and tolerance with the very ammunition they need to continue their bloody jihad.

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Articles, History, Political Correctness, The Left
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Check Your Privilege

In a recent Freeman article, “Check Your Context,” columnist Sarah Skwire brought my attention to a popular meme on the political left, both online and off: “Check your privilege.”

At its gentlest, this is advice to raise our awareness of those aspects of our personal histories that may lead to complacent assumptions about how the world works, assumptions that may limit the scope of our moral imaginations.

When it is less gentle (which is often), it is a dismissal of the opinions of anyone who is insufficiently poor, or, more likely, insufficiently left-wing. [Read the rest of the article.]

freemancheckyourhistory

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Yes, We Have No Bananas

History, Political Correctness, Science, The Left
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YesWeHaveNoBananasIn a recent post on my personal blog (“Is mediocrity intelligent?”), I talked about the importance of a diversity of strategies — even apparently “wrong” ones — to the long-term survival of a species. The corollary of course is that overinvestment in any single strategy can be catastrophic.

We see this issue at play in modern agribusiness.

As Popular Science informs us,

The 1923 musical hit “Yes! We Have No Bananas” is said to have been written after songwriters Frank Silver and Irving Cohn were denied in an attempt to purchase their favorite fruit by a syntactically colorful, out-of-stock neighborhood grocer.

It seems that an early infestation of Panama disease was already causing shortages in 1923. But the out-of-stock bananas in question were not the Cavendish variety we all eat today; they were Gros Michel (“Big Mike”) bananas, and they were all that American banana lovers ate until the 1950s, when the disease finally finished them off.

I would love to know what a Gros Michel banana tastes like. I’m a big fan of bananas and eat them every day. (Actually, I drink them, blended into smoothies.) But the reason I only know the taste of Cavendish — and the reason you do too, unless you’re old enough to have had some Gros Michel mixed into your pablum — is that Cavendish bananas are resistant to the strain of disease that wiped out our original bananas. We have to assume that the Plan B bananas we now enjoy are only second best as far as flavor goes. They may not even be first best at survival, because the banana industry is searching for a Plan C banana to take the place of the Cavendish once the inevitable crop disease sends it the way of the Gros Michel — something that they predict will happen in the next decade or two. (See Banana: The Fate of the Fruit That Changed the World by Dan Koeppel.)

Why are bananas so vulnerable to these blights? Why aren’t agricultural scientists worried about our other favorite fruits — apples, for example?

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Didn’t The Terrorists Win A While Back?

Firearms, Imperialism, Police Statism, Political Correctness, Pop Culture, Protectionism, Racism
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I posted the paragraph below on my Facebook page and a long, sometimes contentious, debate broke out. We even had a resident of Boston and a policeman–two different people, by the way–chime in to attack my point of view. Given that it generated so much discussion in that venue, I figured I’d share it here as well.

Armored police vehicles. Tactical teams. Everyone under house arrest. Soldiers and/or other armed enforcers roaming the streets. House-to-house searches. We call it, “Terror in Boston!” In any one of the several places the U.S. has invaded and/or is currently deploying drones, they’d call it, “Tuesday.” Perspective. Stated differently, maybe the “terrorists” won a while back?

Even looking at it now, it strikes me as obvious and uncontroversial. Maybe I’ve spent too much time sniffing the glue of philosophical free thought?

…cross-posted at LRCBlog.

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Drop It Like It’s Hoppe (rap)

Humor, Libertarian Theory, Political Correctness
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Evan Isaac, Mark Ovdabeest, and Colin Porter have made a fun aprioristic rap song of Hoppe’s social views, Drop It Like It’s Hoppe (based on Snoop Dogg’s “Drop It Like It’s Hot” (lyrics)):

The lyrics are below. Ovdabeest is the same guy who made Black and Yellow: AnCap remix (based on this song):

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