Wake Up! An Eye Is Upon You

Corporatism, Imperialism, Police Statism, Pop Culture, Technology, War
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From Wired.com comes news of the US Army’s latest spy mobile — a high altitude, long-duration flight, combat airship, ominously nicknamed “The Unblinking Eye.” This sweet ride and its two sister blimps will cost taxpayers upwards of half a billion dollars. The 5-year contract calls for a mere $517 million, and we all know military contractors never experience cost overruns.

I love Noah Shachtman’s analysis of the propagandistic publicity poster by Northrop Grumman, the maker of the Army’s latest war toy:

God smiles when the Army spends a half-billion dollars on spy blimps the size of a football field. I believe that’s the message Northrop Grumman is trying to convey in this illustration. . .

The first airship is supposed to be inflated around 10 months from now. Eight months later, the Army hopes to have the first LEMV flying over Afghanistan. On that day, the clouds will part, the sun will shine, and the cherubs will sing as the unblinking eye begins looking for Taliban.

God bless America indeed.

The Unblinking Eyes of Sauron are intended for use over foreign soil. But with the increasing militarization of US borders and police, I wonder how long until they or their successors are deployed over our own heads? looking for brown-skinned interlopers, pot growers, and terrorists under every rock.

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Atlas Shrugged movie finally filming?!

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The good news: they’re finally making an Atlas Shrugged movie, and they’re filming right now!

The bad news: pretty much every other detail associated with this story.

Just a few years ago, we were looking forward to an adaptation starring Angelina Jolie with a script from the writer of Braveheart.

Now we will get a $5 million movie directed by — and starring, as John Galt — a guy from the CW’s One Tree Hill. The screenplay is by Brian Patrick O’Toole, who did not write Braveheart, but who instead has written several direct-to-video horror movies with titles such as Evilution and Necropolitan.

I don’t want to pick on these people. It’s possible that they’ll make a decent movie. I can’t blame them for trying — I would, if I were them — and maybe freedom from studio meddling will let them make a film that’s true to the book’s ideas.

On the other hand, there’s nothing in the creators’ backgrounds to inspire confidence that they’re up to the extraordinary challenge that Atlas Shrugged presents.  Rand’s epic, cinematic book — whatever you think of her personally or of Objectivism — deserved a big budget and Hollywood’s best talent, especially now that it has surged in popularity again.

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The Ghost Writer

Fiction Reviews (Movies), Pop Culture
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Libertarians may especially enjoy Roman Polanski’s The Ghost Writer, which is now playing in second-run theaters and coming to DVD in August.

I wish I could tell you more about why, but it’s the sort of movie that’s best entered with minimal knowledge. The plot involves a man (Ewan McGregor) assigned to write the memoirs of a former British Prime Minister (Pierce Brosnan) who has recently been charged with war crimes for torture. An earlier ghost writer who worked on the book was found washed up on the beach at Martha’s Vineyard, and McGregor’s unnamed character tries to solve the mystery and avoid the same fate.

It was delightful to see the movie not only call attention to the Blair/Bush/Obama war crimes but also depict the CIA as nothing other than a force for evil in the world.

Above all, though, it’s a great, old-fashioned suspense thriller — written for intelligent adults, not teenagers — which is refreshing at a time when it seems that most movies are little more than a series of special effects, brutal killings, and/or dirty jokes.

I recall that Murray Rothbard referred to a certain type of film as a “movie movie.” I’m not sure what that means, but I’m pretty sure this is one.

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Great Libertarian Quotes in Robert Heinlein

Anti-Statism, Pop Culture
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Yesterday on LewRockwell.com, Jeff Riggenbach posted a short essay entitled “Was Robert A. Heinlein a Libertarian?” It reminded me of how much I enjoyed Heinlein’s incredible novel, The Moon is a Harsh Mistress, for its witty characters and thought-provoking political dialogue.

Besides the inimitable Mike (who is actually a computer), my favorite character was definitely Professor Bernardo de la Paz, affectionately called “Prof” throughout the book. He identifies himself a rational anarchist and always has something interesting to add to whatever is going on at the time.

I have taken the liberty to type out my favorite quotes from the book for your reading pleasure. Maybe it will inspire you to read the novel in full

“Under what circumstances may the State justly place its welfare above that of a citizen?”
“Prof, as I see, [there] are no circumstances under which [the] State is justified in placing its welfare ahead of mine.”
“Good, we have a starting point.”
~ Professor de la Paz and Manuel O’Kelly-Davis

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Libertarian Themes in Prince of Persia: The Sands of Time

Fiction Reviews (Movies), Imperialism, IP Law, Pop Culture, Taxation, War
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SPOILER ALERT: I try my best not to “spoil” the movie, but some plot elements are revealed.

Prince of Persia

There are lots of things to like about the movie Prince of Persia: Jake Gyllenhaal‘s abs, the parkour, Gemma Arterton‘s attitude and beauty, or Ben Kingsley’s well-proven ability to portray the bad guy. But I like the libertarian themes.

The movie is inspired from the video game franchise of the same name. All of the important elements of the movie are directly from the video game: the parkour, the street rat, the princess, the dagger of time. The fact that videogames are perhaps becoming in our age the leading form of art for the young is well explained in the lecture series Commerce and Culture by Paul Cantor. Many libertarians have underscored this essential link between market and art, and especially the way that copying is at the heart of artistic development.

The plot itself has libertarian themes. The antagonist, seeking political power, lies the Persians into a war of conquest on the false report of weapons manufacturing and collusion with a known enemy. After the invasion is over and won, there is a scene where the king admonishes one of his sons for his act of invasion, which could be interpreted as an unintended allusion to the foreign policy fiasco perpetrated by George W. Bush over the counsel of his father George Bush, among others.

But the overt libertarianism in the movie is a running gag throughout the movie delivered by Alfred Molina‘s character Sheik Amar, whose role in Raiders of the Lost Ark we cannot forget. The gag is that Amar is the proprietor of a community whose reputation is crafted to prevent tax collection, reminding me of Ralph Raico’s point (I believe he raises it in this lecture) that the Arab stories of caves full of wealth were likely based on the reality of businessmen hiding their wealth from the tax man. Molina/Amar makes many anti-tax comments throughout the movie, which were cheered in the theater where I saw it. As another homage, Molina’s famous scene in Raiders of the Lost Ark is replayed in Prince of Persia between the male and female leads.

Not only for its libertarian themes, but also for its action, characters, plot, and overall impact, I highly recommend the movie. Great summer movie for the family, rivaling the likes of Pirates of the Caribbean.

For my family it had an additional appeal, since the setting was the Persian Empire, and we’re preparing to leave for Turkey in a few days. PFS meeting, here we come!

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