Beethoven: Remixer, Pirate

IP Law
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One of my favorite podcasts, KERA’s “Think,” hosted by the excellent interviewer Kris Boyd, had a fascinating show recently, Beethoven and the World in 1824:

What environment spawned one of the greatest orchestral compositions in history? We’ll find out this hour with music historian and New York Philharmonic Leonard Bernstein Scholar-In-Residence Harvey Sachs. His latest book is “The Ninth: Beethoven and the World in 1824? (Random House, Paperback, 2011).

As Sachs notes, the final movement of his famous Symphony No. 9 in D minor, Op. 125, “Ode to Joy,” was innovative:

The symphony was the first example of a major composer using voices in a symphony (thus making it a choral symphony). The words are sung during the final movement by four vocal soloists and a chorus. They were taken from the “Ode to Joy“, a poem written by Friedrich Schiller in 1785 and revised in 1803, with additions made by the composer.

In other words, it was a remix, as most (all?) art is. In today’s hyper-copyright world, Schiller could stop Beethoven if he wanted, and prevented one of the greatest works of art of all time.

[C4SIF]

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The Petition to Stop Internet Censorship and the Great Firewall of America

IP Law, Technology
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The looming threat of Internet censorship in the name of copyright is being opposed by an increasing number of groups, politicians, and companies. Ron Paul and others, for example, oppose it, although supporting the goal of stopping rogue websites and copyright “piracy.”1

As for companies, Dyn, for example, an Internet infrastructure/DNS/email delivery comany, has a strong statement opposing the horrible Stop Online Piracy Act/E-PARASITE (which emerged after the defeat of PROTECT-IP, aka “son of COICA” as it rose from the ashes of the defeated COICA) pending legislation that Big Media are trying to usher through Congress.2 Unfortunately, they also, like the politicians who are coming out against SOPA, water down their opposition by paying obeisance to the legitimacy of the statist protectionism known as copyright, by including the comment: “While online piracy is obviously bad …” However, the rest of Dyn’s statement is very good. A few excerpts are included below.

And as noted above, other groups and companies are coming out against SOPA, including the European Parliament and “more than 60 civil and human rights organizations”. Even the the Business Software Alliance, which represents IT companies including Microsoft, SAP, IBM, Dell and Hewlett-Packard, and which originally supported SOPA, has withdrawn its support for SOPA in its current form.3

Dyn urges people to sign this petition to oppose SOPA. It is a fairly strong opposition to the proposed legislation, even though it also implies there can be “reasonable copyright law.” There cannot be. Genuine rights cannot conflict; when statist positive law sets up rights that “conflict,” or laws that are “in tension” (such as the “tensionbetween antitrust and IP law), that’s a red flag that at least one of these laws is illegitimate. When people try to reconcile copyright with free speech, the result is inconsistency, and lack of a principled approach. Thus, you see people saying, sure, we need to stop piracy–but these laws go “too far”; we need to have a “reasonable” copyright regime, not one that results in “too much” censorship. Of course mirrors the content of the Constitution itself, which enshrines both copyright (which results in censorship) and free speech. Since most people are legal positivist and hold the fallacious view that the state is legitimate, they accept the Constitution as legitimate and try to square unsquarable things. The result is cognitive dissonance. (One could argue, by the way, that the First Amendment, ratified in 1791, overrules the Copyright clause, ratified along with the Constitution in 1789, since they are incompatible and later-ratified (legislation and) constitutional provisions implicitly overrule earlier (legislation and) constitutional provisions, just as the Twenty-first Amendment (1933) repealed the alcohol prohibition of the Eighteenth Amendment (1919).4

Here are some excerpts from Dyn’s statement: …


  1. SOPA Becoming An Election Issue: Challengers Highlighting Reps Who Want To Censor The Internet; Ron Paul Comes Out Against SOPA; Joins Other Elected Officials Saying No To The Great Firewall Of America

  2. See Die, SOPA, Die. 

  3. Business Software Alliance Withdraws Support for Stop Online Piracy Act; SOPA Needs Work to Address Innovation Considerations

  4. For more on this argument, see my post Copyright Censorship versus Free Speech and Human Rights; Excessive Fines and the Eighth Amendment; also Judge Rules EA has “1st Amendment Right” to Depict College Football Players; Cato/Reason/CEO brief opposing medical diagnostic process patents as violating freedom of speech

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James Bond, Plagiarism, and Intellectual Property

IP Law, Pop Culture
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So it looks like a recently published spy thriller, Assassin of Secrets,1 was largely plagiarized by the “author” from quite a few other novels — some post-Fleming Bond novels and others.

Now, when someone like myself says he is against intellectual “property,” as an illegitimate government grant of monopoly privilege over something that cannot be owned (i.e., ideas), the responses are fairly predictable.

A common one is “Well, then what’s to stop me from copying your novel, changing the name on it, and selling it as my own?”

Well, your customers could sue you for fraud, for one thing. No need for copyright to make that possible.

For another, in the Internet age, you run a very high risk of being found out and ruining your reputation.

In this case, fans of James Bond novels discovered the plagiarism first. As you can imagine, fans can be mighty protective of their favorite books and authors. Try to rip one off and some fan is bound to spot it, and soon they’ll all be royally pissed.


  1. A rather cheesy title, no? 

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