Progressive Egalitarians Should Be Anti-IP

(Austrian) Economics, Business, IP Law, Libertarian Theory, Pop Culture, The Left, Vulgar Politics
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The Obama Administration insists that “‘Piracy is flat, unadulterated theft,’ and it should be dealt with accordingly.” Nonsense, of course. Only scarce goods can be property and therefore only scarce goods can be stolen. Ideas or information patterns are nonscarce goods. If I take your bicycle, you don’t have it anymore. If I copy your idea, now we both have it. Copying, i.e., piracy, is not theft.

As the Left is wont to do in lieu of sound argument, US Commerce Secretary Gary Locke recently related what is meant to be a heartrending story:

Recently, I’ve had a chance to read letters from award winning writers and artists whose livelihoods have been destroyed by music piracy. One letter that stuck out for me was a guy who said the songwriting royalties he had depended on to ‘be a golden parachute to fund his retirement had turned out to be a lead balloon.’ This just isn’t right.

My first immediate thought was why isn’t it right? Shouldn’t a progressive egalitarian’s own values lead him to be against intellectual property?

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“I think, therefore I own” – Objectivists as NeoMarxists of sorts

(Austrian) Economics, Corporatism, IP Law, Libertarian Theory, The Right
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The usual apology for IP (“intellectual property”) privilege is that effort has to be rewarded in an advanced society if justice is to be made to creators and producers.

Interesting: Marxists say the very same thing. They claim that previous effort (“frozen labor”) is that which gives value to economic goods. Well, Objectivists are doing the same in a more fashionable — yet equally flawed — way. They claim economic value is derived from frozen…thoughts. Yes, frozen thoughts. See, Objectivists consider labor performed inside our heads1 the source of economic value, and thus being the very core of value creation it has to be rightfully protected at all costs, right?

Wrong. The source of value is the customer’s valuation of said good during the time of sale.

Yes, ladies and gentlement, it is sales (that mundane and sordid act) that which generates an income in a free society (i.e. the division of labor). Sales are the only way in which demonstrated preference tells us that which is valuable to others. And if it is, they surrender certain amount of another good by giving it to us in exchange for what they need and want. That good is generally one of general acceptance (the most marketeable one), in other words, money. So in order to make money one has to sell. It does not suffice to sit, philosopher style (see pic), and wait for money to come to oneself. One has to know how to turn the idea into an attractive and/or useful product, which requires a whole different set of skills. Or find able partners for the risk-taking endeavor. Even choosing an adequate partner/team for production, distribution, and sales require entrepreneurial skills far beyond the usual thinker’s.

But in any case, it is not “who thought of this first?” that makes people buy more of brand X. The customer couldn’t care less either way. It is the positioning of brand X in the customer’s mind that creates what we call a true market niche for a product. Thus, it follows that it is opportunity, quality and ultimately demonstrated preference (sales) that determines commercial success. Alas, Capitalism is not the social system of thinkers (nor was Socialism, as it was predictably taken over by power-mongers): it is the social system of merchants. Yes, lowly, mundane, and anti-intellectual merchants.

This, to the despair of (Objectivist) NeoMarxism and Marxism, two philosophies founded  by intellectuals who wanted to highlight the role of people like themselves.


  1. A substantially less sweaty form of labor, of course 

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Behind the Scenes of Atlas Shrugged

Libertarian Theory, Pop Culture, Statism
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About a month and a half ago, in Atlas Shrugged movie finally filming?!, my co-blogger Jacob Huebert updated us on the Atlas Shrugged movie. Now, thanks to Reason Magazine and Reason.tv, we are privileged to see behind-the-scenes footage and interviews.

I’ll admit I was leery of the current iteration of the project, but I am somewhat reassured to hear that Atlas Shrugged will be made into three movies, not one, which is more doable. I’m also reassured that the director and the actor playing Henry Rearden seem to have a decent handle on Ayn Rand’s vision and characters, though I was a bit disquieted by the director mispronouncing Rand’s first name.

From Reason.com’s Hit & Run blog (video below):

Many actors and producers have talked about adapting Ayn Rand’s classic Atlas Shrugged for the big screen, but 53 years after its publication no one has dared tackle the ambitious project—until now.

Reason.tv heads to the set of Atlas Shrugged Part One to offer viewers a rare behind-the-scenes glimpse of this most anticipated film.

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Atlas Shrugged movie finally filming?!

Pop Culture
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The good news: they’re finally making an Atlas Shrugged movie, and they’re filming right now!

The bad news: pretty much every other detail associated with this story.

Just a few years ago, we were looking forward to an adaptation starring Angelina Jolie with a script from the writer of Braveheart.

Now we will get a $5 million movie directed by — and starring, as John Galt — a guy from the CW’s One Tree Hill. The screenplay is by Brian Patrick O’Toole, who did not write Braveheart, but who instead has written several direct-to-video horror movies with titles such as Evilution and Necropolitan.

I don’t want to pick on these people. It’s possible that they’ll make a decent movie. I can’t blame them for trying — I would, if I were them — and maybe freedom from studio meddling will let them make a film that’s true to the book’s ideas.

On the other hand, there’s nothing in the creators’ backgrounds to inspire confidence that they’re up to the extraordinary challenge that Atlas Shrugged presents.  Rand’s epic, cinematic book — whatever you think of her personally or of Objectivism — deserved a big budget and Hollywood’s best talent, especially now that it has surged in popularity again.

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