After reviews by Bryan Caplan and our own Stephan Kinsella got my attention, I read Alexander Tabarrok’s new “TED” e-book, Launching the Innovation Revolution.
I went in with an open mind, ready to applaud practical suggestions for incrementally increasing freedom in the area of intellectual property, even if Tabarrok didn’t endorse abolishing the entire patent system as I do. But I was still disappointed.
To Tabarrok’s credit, he does start by showing why patents aren’t necessary to have innovation (at least, he says, in most fields), and he does argue for shorter patent terms (for some things) and less patent protection (for some things). That’s all fine, as far as it goes.
Unfortunately, too much of the book is devoted to promoting new central-planning schemes that Tabarrok thinks would work better than current government programs. Kinsella discusses some of them in an update to his original review; I’ll discuss a couple more.
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If you seek power over others, how much of an advantage does raw intelligence gain you?
If you look at the makeup of the U.S. Congress — which now has a 9% percent approval rating — or if you watch the Republican debates, you are not immediately inclined to label either the smart set. In fact, you have to be a dim bulb to repeatedly say many of the things that seem necessary for electability. On the other hand, a certain amount of cleverness is obviously necessary to outwit the media and your opponents.
Which is it? Two films that explore the relationship between power and brains are “Being There” (1979) and “Limitless” (2011). The films came out thirty years apart but deal with the same issues. “Being There” suggests that being dumb as a chicken is a huge advantage for those who seek political success. “Limitless” suggests that politics is the inevitable trajectory of a person who is far more intelligent than everyone else. Which is more realistic?
I’ll state my own view up front: politics is a gigantic waste of brains. If a person really has a gift for high-level thought, almost any profession would be a greater better to society and probably more self-fulfilling in the long run. Whereas it was probably once true that the political life attracted some of the best and brightest, it no longer seems true at all today.
“Being There” is both hilarious and serious, worth sitting down with at least once every few elections seasons. Peter Sellers and Shirley MacLaine star in this adaptation of a novel by Jerzy Kosinski about an illiterate and simple-minded man named Chance who happened to be in the right place at the right time. His utterances are few and most concern what he has done his entire life, which has been to tend one garden on one estate and otherwise watch television. [Keep reading…]
J. Edgar, the new film directed by Clint Eastwood and starring Leonardo DiCaprio, is making the news for dealing frankly with the decades old rumors concerning Hoover’s private life. But that’s not what makes the film immensely valuable. Its finest contributions are its portrait of the psycho-pathologies of the powerful and its chronicle of the step-by-step rise of the American police state from the interwar years through the first Nixon term.
The current generation might imagine that the egregious overreaching of the state in the name of security is something new, perhaps beginning after 9/11. The film shows that the roots stretch back to 1919, with Hoover’s position at the Justice Department’s Bureau of Investigation under attorney general A. Mitchell Palmer. Here we see the onset of the preconditions that made possible the American leviathan.
Palmer had been personally targeted in a series of bomb attacks launched by communist-anarchists who were pursuing vendettas for the government’s treatment of political dissidents during the first world war. These bombings unleashed the first great “red scare” in American history and furnished the pretext for a gigantic increase in federal power in the name of providing security. In a nationwide sweep, more than 60,000 people were targeted, 10,000 arrested, 3,500 were detained, and 556 people were deported. The Washington Post editorial page approved: “There is no time to waste on hairsplitting over infringement of liberties.”
Here we have the model for how the government grows. The government stirs up some extremists, who then respond, thereby providing the excuse the government needs for more gaining more power over everyone’s lives. The people in power use the language of security but what’s really going on here is all about the power, prestige, and ultimate safety of the governing elite, who rightly assume that they are ones in the cross hairs. Meanwhile, in the culture of fear that grips the country – fear of both public and private violence – official organs of opinion feel compelled to go along, while most everyone else remains quiet and lets it all happen.
The remarkable thing about the life of Hoover is his longevity in power at every step of the way. With every new frenzy, every shift in the political wind, every new high profile case, he was able to use the events of the day to successfully argue for eliminating the traditional limits on federal police power. One by one the limitations fell, allowing him to build his empire of spying, intimidation, and violence, regardless of who happened to be the president at the time.
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English libertarian Sean Gabb, Director of the Libertarian Alliance, has just published an excellent book review of Ian Milne’s Time to Say No: Alternatives to EU Membership. It’s appended below.
This little review is chock full of great insights. He explains that the EU, while it does not really infringe UK sovereignty–”this country is governed from London, and by our own ruling class–has “help[ed] make the exercise of power by this ruling class less accountable.” He gives the example of metrification foisted on the country in 1995. Gabb points out that the British Government ignores other EU directives when it wants to (Gabb gives examples). But when it enacts a law based on an EU directive, it provides cover for the politicians who can just point to the EU and blame it on them. This allows special interest groups like the big four supermarkets to lobby the state to pass laws that harm smaller competitors, and the politicians to be absolved of blame by pointing to the EU Directive they “have” to enact (even though the ignore others). The larger grocery stores can afford the expense of retraining but hobble smaller grocery stores.
This is yet another example of how big businesses are actually in support of supposedly “anti-business” regulations since it helps to protect them from competition. Rothbard has pointed this out many times as I note in this post.
By the way, I recommend Gabb’s novel The Churchill Memorandum and also his excellent Literary Essays, both linked at his site. About the latter book I wrote the following for a back cover blurb: “Libertarians have sound ideas but are not always great writers, and are not usually authorities on literature and literary matters. Rarer still is the literary essayist who is not confused or ignorant about politics and economics. It is thus refreshing to encounter Sean Gabb’s literary writing. A long-time libertarian activist and writer who is also a superb novelist and literary essayist, an honest and clear writer, he is our modern libertarian man of letters. This splendid and sparkling collection of essays provides fascinating insights into literature and other literary topics, without the typical leftist baggage and economic illiteracy.”) [Keep reading…]
I read Atlas Shrugged about three years ago. There is nothing in the movie not in the book and the stuff that is skipped is obviously skipped for the sake of time. It’s technically set in modern times, but with a heavy-handed attempt to pay homage to the art-deco, 1920s aesthetic of the book. The result is an awkward identity crises in terms of overall artistic intent and ends up just screaming ‘budget film’. The acting was rather atrocious, but when your screen-play is cut-and-pasted Ayn Rand, the writing doesn’t help either. Platitudes read on the page are far more believable than when stated in flesh and blood as normal dialogue. They worked very hard to avoid the sermonizing that is so characteristic of Rand and did a decent job of keeping things moving – though where to, you were never really certain. If you’re starved for rational ideas from the silver screen, it’s refreshing and invigorating to hear your ideology in the mouths of beautiful movie stars. But if you have much discerning taste regarding good movie making, you’ll be left wanting.
I went with two Rand fans who are not Objectivists but big sympathizers. They thoroughly enjoyed it. I think this is largely due to the fact that they were just excited to hear the anti-government, anti-welfare, pro-industry, pro-property message so clearly proclaimed. When I asked what they thought of the overall effect of the film outside of the ideas, their response was “well, it was an Indie film” as if this is supposed to excuse lack of creativity. I love a lot of Indie films precisely because they use their status and low budget to take a different approach to cinematic story-telling. If the creators of Atlas Shrugged the movie had started with a clear artistic/creative vision of how they wanted to tell the story rather than merely simply trying to translate Ayn Rand’s text to the screen, I think they could have really leveraged their status as a low-budget Indie film. As it is, it comes off as trying really hard to be a glossy, big-budget, epic film – and just falls flat.
That being said, I recognize that they potentially would have had thousands of Randroids all over them if they’d tried something too different from the text. Making movies of popular books is always a challenge and having a small budget is always a challenge. But the best art/storytelling views such limitations as opportunities for creativity, not defects to be disguised.
So should you go see it in theatres, should you wait for the DVD, or should you skip it altogether? Well, if you’re a libertarian, you should probably watch it at some point, especially if you haven’t and don’t want to read the book. It definitely gets the gist across in far less time. I wouldn’t recommend it as an introduction to free-market, anti-government ideas, though, as I think you have to already be sold on these ideas, or at least be considering them, to really enjoy the movie. It is a good excuse to go have a fun night out with friends or significant other who share your ideology. But if you prefer saving money, I would wait for the DVD.