In the past two weeks, both Paul Cantor and I have released new books on television, literature and film.
My new book, Commie Cowboys: The Bourgeoisie and the Nation-State in the Western Genre is now available on Amazon. The book examines the relationship between the Western genre and the bourgeois liberalism of nineteenth-century America, and looks how at how post-war Westerns, which appealed to a generation of New Deal-loving, Cold War-enamored nationalists, teach us that capitalism is bad and the nation-state is good. It includes a forward by Paul Cantor.
Also newly available is Paul Cantor’s extensive study of television and film, The Invisible Hand in Popular Culture: Liberty vs. Authority in American Film and TV. If you read Gilligan Unbound: Pop Culture in the Age of Globalization (which I reviewed here.) you’ll remember that Cantor can take pretty much any television show, such as Gilligan’s Island, and dissect it using everything from Homer to Shakespeare to Marshall McLuhan, and entertain you while doing it.
In The Invisible Hand, Cantor provides a section on Westerns, and from there goes on to examine South Park, Mars Attacks! and more.
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