Tuesday, December 20, 2011

Excellent article by Internet and First Amendment lawyer Marvin Ammori in The Atlantic, Should Copyright Be Allowed to Override Speech Rights? Ammori, with the New America Foundation’s Open Technology Initiative, points out that the have courts recognized the potential threats to free speech posed by defamation law:

Defamation law, while necessary to protect wrongly tarnished reputations, raises well-known threats to freedom of speech. If you criticize a large company, powerful businessman, or public official, you can expect a well-paid lawyer to at least consider bringing a defamation lawsuit. These suits chill protected speech and discourage robust debate. Because of this threat, the Supreme Court has imposed free-speech limitations on defamation suits, most famously in the celebrated 1964 decision New York Times v. Sullivan.

I disagree that asserting that defamation law is “necessary” is a justification for it; in fact it is just another type of intellectual property and just as invalid as the others. Further, the Sullivan decision has problematic aspects, in that it applied the First Amendment, which was a limitation on federal power, not state power, to state defamation law (I disagree that the Fourteenth Amendment was meant to incorporate the Bill of Rights). A federal defamation law, by contrast, would be unconstitutional, for two reasons. First, it would be incompatible with the First Amendment. Second, there is no enumerated power granted to Congress to enact defamation law, so that such a law violates the 10th Amendment and the constitutional structure.

In any case, the thrust of the decision and Ammori’s remarks is correct: defamation law is incompatible with free speech, or at least a threat to it.

Ammori observes that until fairly recently, the courts and Congress also recognized the threat copyright poses to free speech, and thus provided exceptions like fair use and safe harbors to shelter ISPs and others from liability for defamatory or copyright-infringing conduct by users or third parties. But, Ammori argues, “Congress has become inconsistent in its sensitivity to free speech threats,” with new proposals such as SOPA, which threaten to chill or stifle speech on the Internet. Ammori urges Congress to take First Amendment concerns into account in crafting new copyright legislation:

Imagine if our nation, or another, had proposed legislation to punish any website for defamation committed by its users. Imagine also that enforcement against such sites — defined as “dedicated to defamation” — would include automatically cutting off advertising and credit-card processing, removing sites from search engines, and messing with the global Internet addressing system to shut them down.

We would all recognize such a law would lie on the wrong side of free speech. But Leahy, who was a champion of the SPEECH Act, sponsored the Senate copyright bill that would adopt these procedures. Many members of the House supported speech protections for defamation through that Act but fail to support similar protections when a law addresses copyright — even though the proposed laws would miss their mark and silence a lot of non-infringing speech.

Congress should have learned its lesson: the 1998 copyright safe harbor recognizes the lessons of the First Amendment. So does the SPEECH Act. Why can’t copyright legislation today?

As I mentioned in Copyright is Unconstitutional, one could make an argument that copyright in its current form is unconstitutional because it does, in fact, as Ammori observes (also Steven J. Horowitz in A Free Speech Theory of Copyright), conflict with free speech rights in the First Amendment. Unlike defamation law, however, the Constitution expressly authorizes Congress to enact copyright law. And if the First Amendment and the copyright clause were of equal stature, then the courts would have no choice but to try to balance these incompatible provisions. However, the First Amendment came two years after the Copyright Clause: 1791 versus 1789. Thus, if and to the extent there is a conflict, the later provision prevails. It’s as if the 1791 Bill of Rights partially overturned the Copyright Clause. Or as I argued previously:

Clearly copyright is form of censorship. Clearly the First Amendment prohibits federal censorship laws. So: the First Amendment later, and thus implicitly repealed the copyright clause. Or at least the copyright act–the way it’s implemented to permit books to be banned and movies burned.5

The more I think about this, the more I think it’s correct. There is a tension between copyright’s censorship, and the free speech and free press protections in the First Amendment (as there is a “tensionbetween antitrust and IP law). But since the free speech provisions came later, in case of conflict, they prevail. Copyright has to go. It is unconstitutional.

Update: see also Neil Netanel – Copyright’s Paradox for Freedom of Expression: Engine or Brake?

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I noted previously a brilliant music video, “Death of ACTA,” by Dan Bull. (More on ACTA, which has unfortunately now been signed by several countries.) Now he’s back with a new one, in a very creative attempt to fight the evil Stop Online Piracy Act, or SOPA. As Mike Masnick notes in this Techdirt post (see below),

Perhaps even more interesting, however, is how the song and video came together. After deciding he wanted to write a song about SOPA, he reached out to his followers on Twitter, asking for “help with themes and lyrics.” After getting a bunch of ideas, and realizing he should do something different for the video, he went on Facebook and asked for volunteers to take photos of themselves holding up signs with the various lyrics… and tons and tons of people jumped at the chance. The whole video was put together over the last few hours, and the whole effort is pretty impressive.

Incidentally, Leo Laporte, host of TWiT, and Denise Howell, host of TWiT’s This Week in Law, in recent episodes have been heroic in opposing SOPA. In the most recent TWiT show, Laporte makes a strong argument in favor of Internet freedom and against limiting it in the name of copyright, in contradistinction to Nilay Patel, who takes a more mainstream and confused “balancing” approach. And in a recent episode of TWiL, where most of the commentators and guests tend to be anti-SOPA, lawyer Marty Schwimmer was invited on to defend the need for SOPA or something like it; Howell admirably dissents.

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Here’s Masnick’s post:

New Anti-SOPA Song & Crowdsourced Video From Dan Bull

from the sopa-can-ban-ya dept

We’ve written about UK singer Dan Bull a bunch of times, highlighting his various songs that often cover copyright issues. His latest is an anti-SOPA song and video, called SOPA Cabana (take a wild guess what that’s a reference to). Check out the video here first, and read on below about the video and why it’s interesting (beyond the music/lyrics):

First of all, what strikes me as most interesting about this is that Dan’s not in the US, but the UK. But he recognizes how this law being debated in the US can have a significant and dangerous impact around the world. In talking about his reasons for doing a song about SOPA, Dan noted that “SOPA is abhorrent on three fronts:”

Firstly, it threatens the future of the internet, which is something far more valuable both commercially and socially than the entertainment industry ever has been, or ever will be.

Secondly, creativity is all about interpreting and re-imagining what you see and hear around you. The idea that creativity exists in some kind of vacuum, and that you’re not a real artist unless you can make something “completely original” is not only stupid, it contradicts the most fundamental axioms of how the universe works. Everything is influenced by something else. If we want a richer cultural landscape, we should embrace remixes, embrace mashups, and embrace sharing, not cling to ideas as pieces of property.

Thirdly, the internet is an amazing new forum for free speech and holding those in power us to account. The idea that governments and even private corporations can police the internet and decide what people on a global scale are allowed to say and hear is tyrannical.

Perhaps even more interesting, however, is how the song and video came together. After deciding he wanted to write a song about SOPA, he reached out to his followers on Twitter, asking for “help with themes and lyrics.” After getting a bunch of ideas, and realizing he should do something different for the video, he went on Facebook and asked for volunteers to take photos of themselves holding up signs with the various lyrics… and tons and tons of people jumped at the chance. The whole video was put together over the last few hours, and the whole effort is pretty impressive.

Dan Bull is a musician. The entertainment industry and the lobbyists supporting SOPA insist that they’re doing this to protect people like Dan Bull — but Dan is quite reasonably scared of what this law will do to his ability to succeed online. Dan Bull is as well known as he is because of the internet, and his ability to share his works wherever and however he likes. SOPA would make that a lot more difficult. It doesn’t “protect” Dan Bull. It helps destroy the careers of folks like Dan Bull by limiting their ability to create, promote, distribute and communicate.

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